OPEN REFLECTIONS

A Differential Thesis: Performing Versioned, Iterative, and Processual Scholarship

This blog has from its instantiation served as a platform to publish, among others, various iterations of my in-progress thesis in networked and multimodal ways in a (relatively) collaborative and … Continue reading

May 19, 2015 · 1 Comment

Recursive Historiographical Work and the Responsibility of the Historian: Adrian Johns

Culture Machine Live, a series of podcasts which consider a range of issues including the digital humanities, internet politics, the future of cultural studies, cultural theory and philosophy, is pleased … Continue reading

April 13, 2015 · Leave a comment

Technogenesis and Media Specific Analysis: N. Katherine Hayles

Culture Machine Live, a series of podcasts which consider a range of issues including the digital humanities, internet politics, the future of cultural studies, cultural theory and philosophy, is pleased … Continue reading

March 25, 2015 · 1 Comment

On Liquid Books and Fluid Humanities (part III)

Chapter 6 of my thesis explores both the discursive-material practices that have promoted the idea and use of the book as a fixed object of communication, as well as more … Continue reading

March 8, 2015 · 1 Comment

The Monograph Crisis Revisited

Last week, on the 22nd of January, the report Monographs and Open Access, written by Geoffrey Crossick for HEFCE, was released. I would like to respond to the specific way … Continue reading

January 29, 2015 · 3 Comments

Performative Publications

Last spring I worked on a project together with 2nd year design students Nabaa Baqir, Mila Spasova and Serhan Curti to create an alternative take on, or an artist’s book … Continue reading

September 11, 2014 · 1 Comment

The perseverance of print-based authorship within humanities scholarship (III)

Chapter 3 of my thesis focuses on authorship, and you can find a draft of the second part of the chapter underneath. As I stated before, any feedback is of … Continue reading

August 28, 2014 · Leave a comment

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