OPEN REFLECTIONS

The perseverance of print-based authorship within humanities scholarship (III)

Chapter 3 of my thesis focuses on authorship, and you can find a draft of the second part of the chapter underneath. As I stated before, any feedback is of … Continue reading

August 28, 2014 · Leave a comment

The perseverance of print-based authorship within humanities scholarship (II)

Chapter 3 of my thesis focuses on authorship, and you can find a draft of the second part of the chapter underneath. As I stated before, any feedback is of … Continue reading

August 27, 2014 · Leave a comment

The perseverance of print-based authorship within humanities scholarship (I)

Chapter 3 of my thesis focuses on authorship, and you can find a draft of the first part of the chapter underneath. As I stated before, any feedback is of … Continue reading

August 26, 2014 · Leave a comment

Experiments in editing

On March 7th of this year we ran our first seminar as part of the Disrupting the Humanities Seminar Series at Coventry University, which has been organised by the Centre … Continue reading

June 20, 2014 · Leave a comment

Experiments in Knowledge Production. Open Access and the politics of the digital academy

Last week Michael Guggenheim (CSISP, Goldsmiths) and Noortje Marres (CSISP, Goldsmiths) convened an event about experiments in knowledge production at Goldsmiths, which included Limn, Mattering Press and Big Data and Society. Noortje … Continue reading

March 28, 2014 · 2 Comments

The Centre for Disruptive Media presents Disrupting the Humanities A series of 3 half-day seminars looking at research and scholarship in a ‘posthumanities’ context, organised by the Centre for Disruptive … Continue reading

February 10, 2014 · Leave a comment

Forget the Book

Yesterday I attended the excellent event Forget the Book: Writing in the Age of Digital Publishing, at Goldsmiths, University of London. The event was organised by Sarah Kember and Benjamin … Continue reading

May 26, 2013 · 1 Comment

Open Reflections is created by Janneke Adema

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